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Good Morning All! -- WE ARE BACK!!! After a long hiatus, we are stopping in to inform you of a SURPRISE Momentum Play for Monday that looks to take the market by storm!
Today's Mega Momentum Alert is:
VNUE
VNUE is a low float, sub penny selection with an extremely near guarantee to double your interest if not triple it. (We believe it will see the latter, or
close to it!)
First look at the Level-II will raise your brows and drop your jaw. The set up is golden! You've seen our picks offer obnoxiously generous gains before, we have great confidence that this pick could be one of those.
It's never only about what a specific company does or its exact industry involvement, our immediate goal and promise to our subscribers is "GAINS!" ....And that's what VNUE is basically promising if you follow it!
VNUE, the Company's wholly owned subsidiary, now carry's business as a live entertainment music service company which brings bands and fans together by capturing professional quality audio and video recordings of live performances and delivers the experience of a venue to your home and hand.
By streamlining the processes of curation, clearing, capturing, distribution & monetization, VNUE manages and simplifies the complexities of the music ecosystem.
VNUE captures content through its Front of House mobile application and provides world-wide distribution and monetization through a suite of mobile, web administration applications, allowing an artist to seamlessly deliver and sell their live performances directly to the fans who attend their shows.
While VNUE is primarily being used in live music venues, they are also branching into many other entertainment experiences such as comedy, plays, musicals, university lectures, professional demonstrations and panel discussions, as well as action sports and much more.
BUSINESS SUMMARY
(VNUE - VNUE, Inc.)
http://www.vnue.com/
VNUE, Inc. or VNUE operates as a live entertainment music service company. It captures and distributes professional quality audio and video recordings of live performances through its Front of House mobile application. The company engages in the curation, clearing, capturing, distribution, and monetization of the content through a suite of mobile, Web administration applications, which allows an artist to deliver and sell their live performances directly to the fans who attend their shows.
VNUE, Inc. captures content through its Front of House mobile application and provides world-wide distribution and monetization through a suite of mobile, web administration applications, allowing an artist to seamlessly deliver and sell their live performances directly to the fans who attend their shows.
On February 19, 2016 the company announced it entered into an Equity Purchase Agreement with Tarpon Bay Partners LLC ("Tarpon"), an institutional investor. The Agreement establishes a new $10,000,000 credit financing mechanism, the proceeds of which will be used to fund acquisitions for the company, continued development of the company's platform, and for general working capital purposes.
The company is based in New York, New York..
Read More:
http://finance.yahoo.com/news/vnue-inc-signs-10-000-140000956.html
MARKET OUTLOOK
The global music business,
at least what's tied to music copyright, is worth over $25 billion. Actually, it's worth $25.3 billion, according to Will Page, the director of economics at Spotify who calculated the figure. But that's just a start. M
aybe $40 billion more.
Live music, included in the CISAC study, is one circle out from the core.
Global live music revenues are $25 billion. Given the known value of music copyright, CISAC must have put
the live music market at roughly $40 billion. Some concert-related revenues aren't included. The concentric circles of the music industry could, in theory, expand to ticketing revenue. Live Nation, AEG and SFX has linked their promotion businesses to their ticketing businesses. Ticketing, both primary and secondary, is a profit engine that can be driven by live events.
Much of Page's figures are based on publicly available information. Page's figure consists mostly of data inside reports by the IFPI, covering sound recordings, and the global International Confederation of Authors and Composers Societies (CISAC), covering musical works. Add the total revenues from those reports and you'll have a good but rough estimate.
Page needed more research and arithmetic to arrive at his estimate. Some publishing revenues are hidden from the public eye and not included in the CISAC report. Revenue from direct licensing of
$1.7 billion came from a from a MIDiA Research report. Also counted was revenue of
$423 million from mechanical royalties collected outside of CISAC from organizations such as Harry Fox. Page also eliminated the double counting. IFPI sales numbers include mechanical royalties paid to record labels, which count them as revenue, and then paid to publishers, where they also count as revenue.
Read More:
http://www.billboard.com/articles/business/6805318/25-billion-global-music-industry-not-everything
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PennyDreamers.com
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